Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci, (Italian: [leoˈnardo da ˈvintʃi]; 15 April 1452 – 2 May 1519) was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of paleontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, his genius epitomized the Renaissance humanist ideal.

Many historians and scholars regard Leonardo as a great exemplar of the "Renaissance Man", an individual of "unquenchable curiosity" and "feverishly inventive imagination". According to art historian Helen Gardner, the scope and depth of his interests were without precedent in recorded history, and "his mind and personality seem to us superhuman, the man himself mysterious and remote". Marco Rosci, however, notes that while there is much speculation regarding his life and personality, his view of

the world was logical rather than mysterious, and that the empirical methods he employed were unorthodox for his time.
Born out of wedlock to a notary, Piero da Vinci, and a peasant woman, Caterina, in Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter Andrea del Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded him by Francis I.
Leonardo was, and is, renowned primarily as a painter. Among his works, the Mona Lisa is the most famous and most parodied portrait and The Last Supper the most reproduced religious painting of all time, with their fame approached only by Michelangelo's The Creation of Adam. Leonardo's drawing of the Vitruvian Man is also regarded as a cultural icon, being reproduced on items as varied as the euro coin, textbooks, and T-shirts. Perhaps fifteen of his paintings have survived, the small number because of his constant, and frequently disastrous, experimentation with new techniques. Nevertheless, these few works, together with his notebooks, which contain drawings, scientific diagrams, and his thoughts on the nature of painting, compose a contribution to later generations of artists rivalled only by that of his contemporary, Michelangelo.
Leonardo is revered for his technological ingenuity. He conceptualised flying machines, a type of armoured fighting vehicle, concentrated solar power, an adding machine, and the double hull, also outlining a rudimentary theory of plate tectonics. Relatively few of his designs were constructed or were even feasible during his lifetime, but some of his smaller inventions, such as an automated bobbin winder and a machine for testing the tensile strength of wire, entered the world of manufacturing unheralded. He made substantial discoveries in anatomy, civil engineering, optics, and hydrodynamics, but he did not publish his findings and they had no direct influence on later science.
Today, Leonardo is widely recognised as one of the most diversely talented individuals ever to have lived in the world.

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  • 1. [Michelangelo] Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564) (Italian pronunciation: [mikeˈlandʒelo]), was an Italian sculptor, painter, architect, poet, and engineer of the High Renaissance who exerted an unparalleled influence on the development of Western art. Considered as the greatest living artist in his lifetime, he has since been held as one
  • 2. [Raphael] Raffaello Sanzio da Urbino (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; April 6 or March 28, 1483 – April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
  • 3. [Mona Lisa] The Mona Lisa (Italian: Monna Lisa [ˈmɔnna ˈliːza] or La Gioconda [la dʒoˈkonda], French: La Joconde) is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world".
  • 4. [The Last Supper (Leonardo da Vinci)] The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈl ultima ˈtʃeːna]) is a late 15th-century mural painting by Leonardo da Vinci in the refectory of the Convent of Santa Maria delle Grazie, Milan. It is one of the world's most famous paintings, and one of the most studied, scrutinized, and satirized.
  • 5. [Sandro Botticelli] Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli (Italian: [ˈsandro bottiˈtʃɛlli]; c. 1445 – May 17, 1510), was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici, a movement that Giorgio Vasari would characterize less than a hundred years later in his
  • 6. [Albrecht Dürer] Albrecht Dürer (/ˈdʊərər, ˈdjʊərər/; German: [ˈalbʁɛçt ˈdyːʁɐ]; 21 May 1471 – 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I.
  • 7. [Giorgio Vasari] Giorgio Vasari (Italian: [ˈdʒordʒo vaˈzaːri]; 30 July 1511 – 27 June 1574) was an Italian painter, architect, writer and historian, most famous today for his Lives of the Most Excellent Painters, Sculptors, and Architects, considered the ideological foundation of art-historical writing.
  • 8. [Vitruvian Man] The Vitruvian Man, Italian: Le proporzioni del corpo umano secondo Vitruvio or simply L'Uomo Vitruviano [ˈl wɔːmo vitruˈvjaːno], is a drawing by Leonardo da Vinci around 1490. It is accompanied by notes based on the work of the architect Vitruvius. The drawing, which is in pen and ink on paper, depicts a man in two
  • 9. [Donatello] Donato di Niccolò di Betto Bardi (c. 1386 – December 13, 1466), better known as Donatello, was the most important early Renaissance sculptor from Florence. He studied classical sculpture, and used this to develop a fully Renaissance style in sculpture, which his periods in Rome, Padua and Siena introduced to other parts of Italy over
  • 10. [Andrea del Verrocchio] Andrea del Verrocchio (Italian pronunciation: [anˈdrɛːa del verˈrɔkkjo]; c. 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was master of an important workshop in Florence. He became known by his nickname "Verrocchio" which in Italian means "true eye" a tribute given to him for
  • 11. [Leon Battista Alberti] Leon Battista Alberti (February 14, 1404 – April 25, 1472) was an Italian humanist author, artist, architect, poet, priest, linguist, philosopher and cryptographer; he epitomised the Renaissance Man. Although he is often characterized as an "architect" exclusively, as James Beck has observed, "to single out one of Leon Battista's 'fields' over others as somehow functionally
  • 12. [Domenico Ghirlandaio] Domenico Ghirlandaio (Italian: [doˈmeːniko ɡirlanˈdaːjo]; 1449 – 11 January 1494) was an Italian Renaissance painter from Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio was the leader of a large and efficient workshop which included his brothers Davide Ghirlandaio and
  • 13. [Virgin of the Rocks] The Virgin of the Rocks (sometimes the Madonna of the Rocks) is the name used for two paintings by Leonardo da Vinci, of the same subject, and of a composition which is identical except for several significant details. The version generally considered the prime version, that is the earlier of the two, hangs in The
  • 14. [Piero della Francesca] Piero della Francesca ( Pronunciation ; c. 1415 – 12 October 1492) was an Italian painter of the Early Renaissance. As testified by Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects, to contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for
  • 15. [Ludovico Sforza] Ludovico Maria Sforza (also known as Ludovico il Moro; 27 July 1452 – 27 May 1508), was Duke of Milan from 1494 until 1499, following the death of his nephew Gian Galeazzo Sforza. A member of the Sforza family, he was the second son of Francesco I Sforza. He was famed as a patron of
  • 16. [High Renaissance] In art history, High Renaissance, is the period denoting the apogee of the visual arts in the Italian Renaissance. The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to have ended in 1527
  • 17. [Galileo Galilei] Galileo Galilei (Italian pronunciation: [ɡaliˈlɛːo ɡaliˈlɛːi]; 15 February 1564 – 8 January 1642), was an Italian astronomer, physicist, engineer, philosopher, and mathematician who played a major role in the scientific revolution during the Renaissance. His achievements include improvements to the telescope and consequent astronomical observations and support for heliocentrism. Galileo has been called the "father of modern observational astronomy", the "father of modern physics", and the "father of modern science".
  • 18. [Codex Atlanticus] The Codex Atlanticus (Atlantic Codex) is a twelve-volume, bound set of drawings and writings by Leonardo da Vinci, the largest such set; its name indicates its atlas-like breadth. It comprises 1,119 leaves dating from 1478 to 1519, the contents covering a great variety of subjects, from flight to weaponry to musical instruments and from mathematics
  • 19. [Giovanni Bellini] Giovanni Bellini (c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini, and his brother-in-law was Andrea Mantegna. He is considered to have revolutionized Venetian painting, moving it towards a more sensuous and
  • 20. [Pietro Perugino] Pietro Perugino (Italian: [ˈpjɛːtro peruˈdʒiːno]; c. 1446/1450 – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
  • 21. [Andrea del Sarto] Andrea del Sarto (Italian: [anˈdrɛːa del ˈsarto]; 1486–1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo, and Raphael.
  • 22. [Paolo Uccello] Paolo Uccello (Italian pronunciation: [ˈpaːolo utˈtʃɛlo]; 1397 – 10 December 1475), born Paolo di Dono, was an Italian painter and a mathematician who was notable for his pioneering work on visual perspective in art. Giorgio Vasari in his book Lives of the Artists wrote that Uccello was obsessed by his interest in perspective and would
  • 23. [Luca Pacioli] Fra Luca Bartolomeo de Pacioli (sometimes Paccioli or Paciolo; c. 1447–1517) was an Italian mathematician, Franciscan friar, collaborator with Leonardo da Vinci, and a seminal contributor to the field now known as accounting. He is referred to as "The Father of Accounting and Bookkeeping" and he was the first person to publish a work on the double-entry system of book-keeping. He was also called Luca di Borgo after his birthplace, Borgo Sansepolcro, Tuscany.
  • 24. [Tintoretto] Tintoretto Italian pronunciation: [tintoˈretto] (born Jacopo Comin, late September or early October, 1518 – May 31, 1594) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School.
  • 25. [Filippo Lippi] Fra' Filippo Lippi, O.Carm. (c. 1406 – 8 October 1469), also called Lippo Lippi, was an Italian painter of the Quattrocento (15th century).
  • 26. [Masaccio] Mazáčio (Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at recreating lifelike figures and movements as well as a convincing sense of three-dimensionality. Masaccio died at twenty-six and little is known about the exact circumstances of his death.
  • 27. [Lives of the Most Excellent Painters, Sculptors, and Architects] The Lives of the Most Excellent Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri, as it was originally known in Italian, is a series of artist biographies written by 16th-century Italian painter and architect Giorgio Vasari, which is
  • 28. [The Battle of Anghiari (painting)] The Battle of Anghiari (1505) is a lost painting by Leonardo da Vinci, at times referred to as "The Lost Leonardo", which some commentators believe to be still hidden beneath one of the later frescoes in the Salone dei Cinquecento (Hall of the Five Hundred) in the Palazzo Vecchio, Florence. Its central scene depicted four men riding raging war horses engaged in a battle for possession of a standard, at the Battle of Anghiari in 1440.
  • 29. [Donato Bramante] Donato Bramante (1444 – 11 April 1514) was an Italian architect, who introduced Renaissance architecture to Milan and the High Renaissance style to Rome, where his plan for St. Peter's Basilica formed the basis of design executed by Michelangelo. His Tempietto (San Pietro in Montorio) marked the beginning of the High Renaissance in Rome (1502) when Pope Julius II appointed him to build a sanctuary that allegedly marked the spot where Peter was crucified.
  • 30. [Sfumato] Sfumato (Italian: [sfuˈmaːto], English /sfˈmɑːt/) is one of the four canonical painting modes of Renaissance art (alongside cangiante, chiaroscuro, and unione).
  • 31. [Louvre] The Louvre or the Louvre Museum (French: Musée du Louvre, pronounced: [myze dy luvʁ]) is one of the world's largest museums and a historic monument in Paris, France. A central landmark of the city, it is located on the Right Bank of the Seine in the 1st arrondissement (ward). Nearly 35,000 objects from prehistory to
  • 32. [House of Medici] The House of Medici (/ˈmɛdɨi/ MED-i-chee; Italian pronunciation: [de ˈmɛːditʃi]) was an Italian banking family, political dynasty and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside, gradually rising until
  • 33. [David (Michelangelo)] David (Italian pronunciation: [ˈdaːvid]) is a masterpiece of Renaissance sculpture created between 1501 and 1504, by Michelangelo.
  • 34. [Francesco Melzi] Francesco Melzi (ca. 1491 - 1568/1570) was an Italian painter. He was the son of a Milanese noble family. Melzi joined the household of Leonardo da Vinci in 1506. He accompanied Leonardo on trips to Rome in 1513 and to France in 1517. As a painter, Melzi worked closely with and for Leonardo. Some works which, during the nineteenth century, were attributed to Leonardo are today ascribed to Melzi.
  • 35. [Pontormo] Jacopo Carucci (May 24, 1494 – January 2, 1557), usually known as Jacopo da Pontormo, Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm perspectival regularity that characterized the art of the Florentine Renaissance. He is famous for
  • 36. [Paolo Veronese] Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice, most famous for large history paintings of both religious and mythological subjects, such as The Wedding at Cana and The Feast in the House of Levi. With Titian, who was at least a generation older, and
  • 37. [De divina proportione] De divina proportione (On the Divine Proportion) is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, composed around 1498 in Milan and first printed in 1509. Its subject was mathematical proportions (the title refers to the golden ratio) and their applications to geometry, visual art through perspective, and architecture.
  • 38. [Niccolò Machiavelli] Niccolò di Bernardo dei Machiavelli (Italian: [nikkoˈlɔ mmakjaˈvɛlli]; 3 May 1469 – 21 June 1527) was an Italian historian, politician, diplomat, philosopher, humanist, and writer, who is recognized as the founder of modern political science and political ethics. He was for many years an official in the Florentine Republic, with responsibilities in diplomatic and military
  • 39. [St. John the Baptist (Leonardo)] St. John the Baptist is an oil painting on walnut wood by Leonardo da Vinci. Completed from 1513 to 1516, when the High Renaissance was metamorphosing into Mannerism, it is believed to be his final painting. The original size of the work was 69x57 cm. It is now exhibited at the Musée du Louvre in Paris, France.
  • 40. [Lorenzo Ghiberti] Lorenzo Ghiberti (Italian: [loˈrɛntso ɡiˈbɛrti]) (1378 – 1 December 1455), born Lorenzo di Bartolo, was a Florentine Italian artist of the Early Renaissance best known as the creator of the bronze doors of the Florence Baptistery, called by Michelangelo the Gates of Paradise. Trained as a goldsmith and sculptor, he established an important workshop for
  • 41. [Santa Maria delle Grazie (Milan)] Santa Maria delle Grazie ("Holy Mary of Grace") is a church and Dominican convent in Milan, northern Italy, included in the UNESCO World Heritage sites list. The church contains the mural of The Last Supper by Leonardo da Vinci, which is in the refectory of the convent.
  • 42. [Giovanni Antonio Boltraffio] Giovanni Antonio Boltraffio (or Beltraffio) (1466 or 1467 – 1516) was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
  • 43. [Antonio da Correggio] Antonio Allegri da Correggio (August 1489 – March 5, 1534), usually known as Correggio, was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Rococo art of the 18th century.
  • 44. [Nicolas Poussin] Nicolas Poussin (French: [nikɔlɑ pusɛ̃]; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
  • 45. [Isaac Newton] Sir Isaac Newton PRS MP (/ˈnjtən/; 25 December 1642 – 20 March 1726/7) was an English physicist and mathematician (described in his own day as a "natural philosopher") who is widely recognised as one of the most influential scientists of all time and as a key figure in the scientific revolution. His book Philosophiæ Naturalis
  • 46. [Bernardino Luini] Bernardino Luini (c. 1480/82 – June 1532) was a North Italian painter from Leonardo's circle. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described to have taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
  • 47. [Lorenzo de' Medici] Lorenzo de' Medici (1 January 1449 – 9 April 1492) was an Italian statesman and de facto ruler of the Florentine Republic during the Italian Renaissance. Known as Lorenzo the Magnificent (Lorenzo il Magnifico) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. He is perhaps best known
  • 48. [Francis I of France] Francis I (French: François Ier) (12 September 1494 – 31 March 1547) was the first King of France from the Angouleme branch of the House of Valois, reigning from 1515 until his death. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his cousin and father-in-law Louis XII, who died without a male heir.
  • 49. [Polymath] A polymath (Greek: πολυμαθής, polymathēs, "having learned much") is a person whose expertise spans a significant number of different subject areas; such a person is known to draw on complex bodies of knowledge to solve specific problems. The term was first used in the seventeenth century; the related term, polyhistor, is an ancient term with similar meaning.
  • 50. [Salaì] Gian Giacomo Caprotti da Oreno, better known as Salaì ("The Devil", lit. "The little unclean one") (1480 – before 10 March 1524), was an Italian artist and pupil of Leonardo da Vinci from 1490 to 1518. Salai entered Leonardo's household at the age of 10. He created paintings under the name of Andrea Salai. He
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